A Piano work I composed in early 2007. This composition only took me
two days to complete, but has gone through much revision since it's
initial conception.
Apassionata Concerto Grosso for Two Bassoons and Orchestra. My newest work, with the first and Second Movements completed January 26,
2009. This is a concerto in three movements, and is in both
traditional as well as non-traditional form. Non being I did not use
the true "correct concerto form" in a classical setting.
1st Movement2nd Movement 3rd Movement
This is a unique work for piano I composed in one sitting during the early months of 2007. I say it is unique due to the factors involved in composing the work. It all began while sitting at my then girlfriend's house (now my wife). Her heater came on, and the pitch of it triggered something. From there, every other aspect of the work was due to a noise I could hear in her house. Anything from the sound of the coffee maker, her fridge - even the pitch her shoes made when she kicked them off and they hit the floor beneath the sofa we were sitting on. I usually try to incorporate thoughts and ideas from my surroundings in my work, but this was certainly an extreme. This work is dedicated to my lovely wife, Jennifer.
JenThis work was composed during a very dark period of my life, back in November of 2007. It uses a small string ensemble, as well as a solo piano. A very melancholy work by nature, this has proven to be one of my favorite works I've written yet.
Soft RainSpecter Dance is the final in a dark trilogy I composed. The first two movements were completed years ago, however, just last year I finally got the inspiration to compose the final third work. For those of you who have kept an eye on my site here, you know about the Macabre Trio I was working on. This is the final movement.
Specter DanceThe Overture to Season of Regret was first sketched out on a sheet of printer paper, staff lines crudely drawn in by hand when I was in 6th grade, sitting on the playground under a large silver maple tree. Today, it sounds very much like the original, second to the middle section, which was composed about eleven years ago. I was asked by my friend Buddy from Indonesia to put this on here, so he could hear a sample from the opera.
Overture